When I found out that Duncan Pflaster was looking for between-scene music for his new play I jumped at the chance to try some orchestral composing and arranging. I've always wanted to do that. I've often infused symphonic elements into my rock songs but I was excited to focus strictly on some classic styles. And working in thirty-second bits made it that much more challenging. I not only had to write a theme for each of a handful of settings in the play but then I had to arrange four or five variations of each so I didn't simply repeat myself.
If you like this instrumental side of my work, you should also check out the Attempt No Landing and Sicily releases.
If you like this instrumental side of my work, you should also check out the Attempt No Landing and Sicily releases.
